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Matadero Madrid
Posted by Intermediae 26/04/2013 17:18:48


Politics of Research / Situated Commons
Saturday 27, 17.30h. at Intermediae
With Isaac Marrero-Guillamón, Javier Rodrigo and Aida Sánchez de Serdio

Mediation and research have become key terms for some curatorial projects and debates. Practices, spaces and networks build up a collective research on the meaning of culture and the social function of its institutions in relation to "the commons", opening up a debate on the notion of an other institutionality and overflowing the spaces of the collective (be that a cultural institution, a school, a grassroots space, or the very idea of citizenship). In this context, many cultural projects take up research as a key notion in the relationship between cultural production, the production of knowledge and the construction of the social.

The current politics of the modes of production of collective bodies of knowledge intersect with new modes of construction of citizenship, and the generation of common wealth. The emerging models of research and circulation of knowledge, different forms of urban experimentation, the traditions of feminist research, the famous IAP, militant research, popular education... articulate other politics of relationship, care and mediation in the political economy of research groups and the groups by whom and with whom co-research is undergone, and bodies of knowledge produced. This dimension doesn't exclude the fact that these politics of research can lose their goal of transformation, in citizen environments and specific fields of situated praxis, while at the same time opening up and generating models of construction of bodies of knowledge and collective pedagogies.

In this manner, the question of the politics of inquiry is answered through a kind of new pragmatism, or lesser politics, from the standpoint of which to question the tensions, relationships and the circulation of this production of situated bodies of knowledge. Under this starting point, neither the institution no the research groups would therefore occupy a neutral space, and neither would they define themselves as an incomparable framework. Rather, they would be described as specific, and in process. Their actions are considered unfinished, partial, situated; on the search of connectors with the social tissue, and joining multiple conversations. The frameworks of decolonisation, the bodies of knowledge produced by education, and a heterogeneity of practices of social experimentation can be posed as other scenarios from which to rethink the politics of production and circulation of bodies of knowledge, as another political dimension of the commons.

Intermediae, together with Transductores (as part of their Research Residency at the Museo Nacional Centro de Arte Reina Sofía), Isaac Marrero-Guillamón and Aida Sánchez de Serdio, invite you to participate, share and debate the various starting hypotheses which affect the practice of a large part of the mediation and research initiatives.

Isaac Marrero-Guillamón will present a project produced with Hillary Powell (The Art of Dissent: Adventures in London's Olympic State) which responds to the challenge of compiling and organising a disperse and heterogeneous series of artistic and cultural projects produced as an anwer to the brutal transformation of East London motivated by the 2012 Olympic Games. The project defends the specific role played by these practices in the configuration of antagonistic spaces in relation, for example, to the politics of regulation what is known, what can be said, and what is visible effected by the Olympic machinery (and its collorary: the division between those that have a right to speak and those who don't).

Javier Rodigo will present Transductores' project of citizen research and consultation with the MSR Team in Quito, Ecuador (currently in its second phase). For this purpose, he will engage the issue of how feminist pedagogies help us rethink other frames of relationship and the paradoxes of work in the production of knowledge beyond the classic models of empowerment and dialogic consensual learning. Articulated around this position, collective pedagogies emphasise a pragmatic relationship of transformation, premised on situated and active bodies of knowledge, which generate new forms of politics through learning communities. In a composition of both perspectives, the issue of how to transmit situated bodies of knowledge, how to circulate the production of research and how to generate multiple work tools crosses the challenges of these pedagogies, and, therefore, of the politics of research.

Aida Sánchez de Serdio will contribute to the debate through a reflection on the production of knowledge at a university in a state of emergency. The current situation, which poses the risk of the dissapearance of the public university model as we have known it since the mid-80's of last century, has made a large number of members of the university community face the need to ask themselves about the current situation and about the future perspectives of this institution, and their role in it. In the same manner, the very definition of knowledge, and its forms of production and transmission (terms which also need a deep rethinking) are being challenged. On the basis of a comparison between previous research projects on changes at the universities, which she has been involved in, and the urgency of a militant research which is being drawn out in the present moment, she will attempt to order, in real time, some possibilities for research and action, the most significant space in which might be one of the exteriority, and not interiority of the object of study.


Associated texts

Isaac Marrero-Guillamón

(2011) “London 2012: espacio de excepción”urbe. Revista Brasileira de Gestão Urbana (Brazilian Journal of Urban Management), v. 3, n. 2, p. 179-190.
(2012) “Photography against the Olympic Spectacle”Visual Studies, v. 27, n. 2, p. 132-139.
(2013). “Por una teoría del actor-red menor: perspectivismo y monadología”. In F. Tirado and D. López, eds. Teoría del Actor-Red. Más Allá de los Estudios de Ciencia y Tecnología.Barcelona: Amendia, p. 331-356 (in the press).

Javier Rodrigo

Texto presentación :Comunes, colectividades e institucionalidades: paradojas productivas y pedagogías inapropiadas. https://www.box.com/s/6iva80kuil8ploxb7jbx
http://transductores.net/?q=es/content/laboratorio-ciudadano-mercado-san-roque-exposici%C3%B3n-y-socializaci%C3%B3n-del-trabajo-del-grupo-ms-0       

Aida Sánchez de Serdio

(2010) “Políticas de lo concreto: producción cultural colaborativa y modos de organización”. In Collados, Antonio y Rodrigo, Javier (2010) Transductores: pedagogías colectivas y políticas espaciales.Centro José Guerrero. Granada. p. 44-64
http://www.mov-s.org/wp-content/uploads/Transductores.pdf

(2009) The Political Economy of the Monument. In Street signs, Spring 2009. Centre for Urban and Community Research (CUCR). Goldsmith College. University of London (p. 2-4)
http://www.gold.ac.uk/media/streetsigns_spr09.pdf

 
Posted by Intermediae 03/04/2013 13:11:33


Workshop in horticultural production


Ecosecha

10 of april, 5 pm - 8 pm

An intensive theory and practical workshop on different techniques in horticultural production related to organic agriculture.
 
This workshop aims to work on the theory and practice using knowledge about different techniques in horticultural production, dealing with different content related to organic agriculture:

- Seeds: Harvest, storage, and seed planting.
 
- Transplants: Care during production and transplanting.
 
- "Non-commercial" local varieties: Care, framework and planting distances, other work.

Limited availability. Sign-up will be based on order of requests and will be confirmed via e-mail. bancodesemillas@ecosecha.es
 
Posted by Intermediae 03/04/2013 12:59:23


Seed exchange bank event

Ecosecha

Seed exchange day.  Thursday 4 April at 18 h.

The Seed Exchange Bank is an initiative in favour of decentralizing control of seeds and questioning the management models we generate or in which we take part in this culture with our current way of life. The Seed Exchange Bank and the activities it holds are offered as a metaphor for the need for change in society today.

The first Thursday of each month, a seed exchange session is held for growers, horticulture enthusiasts, and anyone interested in being part of a social network based on organic and sustainable principles, where know-how can be shared about working with seeds and ways to enhance organic agriculture in Madrid.

The Seed Exchange Bank can be visited on a regular basis at the Terrario at Intermediae.

ecosecha.blogspot.com

 
Posted by Intermediae 24/01/2013 13:17:21
ARCO 2013/ 404: Collective investigation of a new cultural paradigm through its media representations. Amor Hipster
With Silvia Nanclares and Jaron Rowan


Next sessions: 16 and 17 February 2013 (times to be confirmed).



A project that explores the ideals of love and how sexuality is experienced according to “hipster” mores. A workshop to analyze and construct (ambiguous) texts with different languages (discursive, journalistic, textual and audiovisual fiction and nonfiction, ethnography, images, podcasts, stage arts) about the sexuality proposed by hipster subculture and how it affects us socially and individually.

At this first meeting core issues will be examined which are fundamental to this collective investigation, covering some of the components from cultural industries which have contributed to generate this supposed cultural paradigm. The idea is to work jointly and generate debates with participants to reach some common ground. The objective: to create a framework to serve as a springboard for getting the investigation underway. Two intensive days with talks, texts, concepts, written and audiovisual fiction, a presentation of the archive and ongoing lines of work.

Jaron Rowan is a researcher and cultural agitator. He combines research and teaching and for 10 years has been one of the members and cofounders of YProductions. He is also a member of the Free Culture Forum and the research project Empresas del procomún.
For several years he has been a tutor and one of the lecturers for the course MA in Culture Industry at Goldsmiths University of London. In 2010 he wrote the book Emprendizajes en cultura published by Traficantes de Sueños. www.demasiadosuperavit.net

Silvia Nanclares studied play writing and directing at RESAD (Madrid). She works in the editorial field and since 2004 she has focused on writing stories, having published her first collection titled El sur: Instrucciones de uso (2009). Since 2001 she has collaborated in her own and others’ publishing processes, and has sold, carried, placed, thought and written about books and publishing.
 
Posted by Intermediae 24/01/2013 08:09:50


Open Studio by The Authorless Film Factory

Colectivo Cine sin Autor (Authorless Cinema Group)

Space to meet and show work processes. From Tuesday to Sunday during Intermediae opening hours.

Screening of works in progress. Wednesday 27 February at 6 pm at Cineteca.

The Authorless Cinema Factory started its activities in May 2012 at Intermediae.
Since then, many people who have nothing to do with film production have taken part in making their films collectively.
 
Throughout 2013 films in progress will be shown monthly at the Cineteca at Matadero Madrid. A meeting space open to everyone interested in actively taking part by offering their opinion and even getting involved in the production process.
The participating public can do more than just see films here: they can do so in a new social model of filmmaking.
Social Cinema. Horizontal. Participatory. Inclusive. 21st century Cinema. Cinema XXI
 
Posted by Intermediae 04/12/2012 16:56:59


PROYECTOR (PROJECTOR) / International Video Art Festival.

Saturday 22 and Sunday 23 FROM 6-9 pm. Screenings and meetings.

PROYECTOR continues exploring international dialogue (especially between Portugal and Spain, who once again seem consigned to the stigma of the periphery) and formal experimentation. It takes an active, critical, citizens’ look at the issue of location. Location of the body and the street. We take on space as a political element, aiming this year to focus of the dimension of the body and public space as venues for civic empowerment, debate and activism. We believe visual practices must be focused centrifugally toward the population and that is why we stand for the street, independent spaces, and artists’ workshops as venues which should be close to citizens. PROYECTOR wants to reaffirm the “social performativity” of art, working through visual language to strengthen its inherent capacity for agency and transformation. 

In keeping with the importance the festival gives to the social role of cultural mediation, there will be guided visits. In addition, PROYECTOR will have a set of talks and roundtables conceived as a niche for generating a critical mass and creating work in a network.
 
Posted by Intermediae 04/12/2012 16:02:54


OPEN TERRARIO/ ConectaLab2

ConectaLab2 and Internet of Things. Wednesday 19 December starting at 5 PM.

Work day at the Terrario with the following: Internet of Things, aLabs, IoT Madrid and Manuel Portela, organizer of CityCamp Buenos Aires, who will share his experience as an attendee at SmarCity Expo Barcelona.

Using pieces of open source hardware and software, and a spirit of creativity and innovation, ConectaLab was born, a pop-up co-working space held monthly with a technological base open to technologists and people who conceptualize or are curious, whose main activity is collectively and responsibly generating utility. A space to work, learn and share.

 
Posted by Intermediae 04/12/2012 15:38:01



CITYKITCHEN
Basurama and Zuloark

Wednesday 5 December at 7 PM. Open conversation between Basurama and Zuloark with Vivero de Iniciativas Ciudadanas.

Citykitchen aims to generate a new way of building a city, based on collaboration among citizens, companies, public administration and professionals from various fields.

Various forms of citizen groups are focusing their work on regenerating neighbourhoods through artistic creation and cultural development. These citizen initiatives have generated a wide range of excellent practices that have been disseminated though not always interconnected. They have not yet crystallized into a shared methodology rooted in collective knowledge and able to grow by intertwining all these experiences toward a shared goal.

Citykitchen is carrying on with several processes of gathering these experiences, like the one that was already begun by Vivero de Iniciativas Ciudadanas, to reflect on possible methodological tools for collective building and frames for clear dialogues among cultural, social and administrative agents.

Through a series of public meetings and work sessions, they aim to open an investigation into the processes and mechanisms that exist currently. They aim to detect the main problems and barriers citizen initiatives face today and reflect on possible protocols to facilitate their development and support these citizen-based processes for managing public space.
 
Posted by Intermediae 23/11/2012 15:40:25



Seed exchange bank event

Ecosecha

Thursday 13 December, 6 pm

The Seed Exchange Bank is an initiative in favour of decentralizing control of seeds and questioning the management models we generate or in which we take part in this culture with our current way of life. The Seed Exchange Bank and the activities it holds are offered as a metaphor for the need for change in society today.

The first Thursday of each month, a seed exchange session is held for growers, horticulture enthusiasts, and anyone interested in being part of a social network based on organic and sustainable principles, where know-how can be shared about working with seeds and ways to enhance organic agriculture in Madrid.

The Seed Exchange Bank can be visited on a regular basis at the Terrario at Intermediae.

http://ecosecha.blogspot.com
http://bis.intermediae.es/

 
Posted by Intermediae 23/11/2012 15:21:11


OPEN TERRARIO/ Streaming Scenarios
PlayDramaturgia

Théa: contemplation. Wednesday 12 December as of 4 PM.

Theory and theatre share the same Greek root: Théa: contemplation.

Theory was born as a contemplation practice and theatre as a place for it: it is not by chance that before they were buildings, the first Greek theatres were overlooks, always facing monumental landscapes.
In the 20th century, going back to its origins, this contemplative attitude was recovered for the stage: the viewers’ attentive gaze became an essential active element in forming discourses. Wasn't Gertrude Stein’s idea really quite ancient, something the stage arts had lost? Doesn’t Pieza Paisaje, the source of so many renewing aesthetics, show originality possible only in resonance with the origin?

THÉA: A THEORETICAL FESTIVAL aims to highlight this contemplative theoretical attitude in a sort of thought marathon structured in brief micro-presentations that are always oriented in some way to the vast landscape of the stage.

In this first showing, framed within Streaming Stages, we will focus our discourse on problems in using streaming in relation to stage arts.

 
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