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Matadero Madrid
Posted by Intermediae 26/04/2013 17:18:48


Politics of Research / Situated Commons
Saturday 27, 17.30h. at Intermediae
With Isaac Marrero-Guillamón, Javier Rodrigo and Aida Sánchez de Serdio

Mediation and research have become key terms for some curatorial projects and debates. Practices, spaces and networks build up a collective research on the meaning of culture and the social function of its institutions in relation to "the commons", opening up a debate on the notion of an other institutionality and overflowing the spaces of the collective (be that a cultural institution, a school, a grassroots space, or the very idea of citizenship). In this context, many cultural projects take up research as a key notion in the relationship between cultural production, the production of knowledge and the construction of the social.

The current politics of the modes of production of collective bodies of knowledge intersect with new modes of construction of citizenship, and the generation of common wealth. The emerging models of research and circulation of knowledge, different forms of urban experimentation, the traditions of feminist research, the famous IAP, militant research, popular education... articulate other politics of relationship, care and mediation in the political economy of research groups and the groups by whom and with whom co-research is undergone, and bodies of knowledge produced. This dimension doesn't exclude the fact that these politics of research can lose their goal of transformation, in citizen environments and specific fields of situated praxis, while at the same time opening up and generating models of construction of bodies of knowledge and collective pedagogies.

In this manner, the question of the politics of inquiry is answered through a kind of new pragmatism, or lesser politics, from the standpoint of which to question the tensions, relationships and the circulation of this production of situated bodies of knowledge. Under this starting point, neither the institution no the research groups would therefore occupy a neutral space, and neither would they define themselves as an incomparable framework. Rather, they would be described as specific, and in process. Their actions are considered unfinished, partial, situated; on the search of connectors with the social tissue, and joining multiple conversations. The frameworks of decolonisation, the bodies of knowledge produced by education, and a heterogeneity of practices of social experimentation can be posed as other scenarios from which to rethink the politics of production and circulation of bodies of knowledge, as another political dimension of the commons.

Intermediae, together with Transductores (as part of their Research Residency at the Museo Nacional Centro de Arte Reina Sofía), Isaac Marrero-Guillamón and Aida Sánchez de Serdio, invite you to participate, share and debate the various starting hypotheses which affect the practice of a large part of the mediation and research initiatives.

Isaac Marrero-Guillamón will present a project produced with Hillary Powell (The Art of Dissent: Adventures in London's Olympic State) which responds to the challenge of compiling and organising a disperse and heterogeneous series of artistic and cultural projects produced as an anwer to the brutal transformation of East London motivated by the 2012 Olympic Games. The project defends the specific role played by these practices in the configuration of antagonistic spaces in relation, for example, to the politics of regulation what is known, what can be said, and what is visible effected by the Olympic machinery (and its collorary: the division between those that have a right to speak and those who don't).

Javier Rodigo will present Transductores' project of citizen research and consultation with the MSR Team in Quito, Ecuador (currently in its second phase). For this purpose, he will engage the issue of how feminist pedagogies help us rethink other frames of relationship and the paradoxes of work in the production of knowledge beyond the classic models of empowerment and dialogic consensual learning. Articulated around this position, collective pedagogies emphasise a pragmatic relationship of transformation, premised on situated and active bodies of knowledge, which generate new forms of politics through learning communities. In a composition of both perspectives, the issue of how to transmit situated bodies of knowledge, how to circulate the production of research and how to generate multiple work tools crosses the challenges of these pedagogies, and, therefore, of the politics of research.

Aida Sánchez de Serdio will contribute to the debate through a reflection on the production of knowledge at a university in a state of emergency. The current situation, which poses the risk of the dissapearance of the public university model as we have known it since the mid-80's of last century, has made a large number of members of the university community face the need to ask themselves about the current situation and about the future perspectives of this institution, and their role in it. In the same manner, the very definition of knowledge, and its forms of production and transmission (terms which also need a deep rethinking) are being challenged. On the basis of a comparison between previous research projects on changes at the universities, which she has been involved in, and the urgency of a militant research which is being drawn out in the present moment, she will attempt to order, in real time, some possibilities for research and action, the most significant space in which might be one of the exteriority, and not interiority of the object of study.


Associated texts

Isaac Marrero-Guillamón

(2011) “London 2012: espacio de excepción”urbe. Revista Brasileira de Gestão Urbana (Brazilian Journal of Urban Management), v. 3, n. 2, p. 179-190.
(2012) “Photography against the Olympic Spectacle”Visual Studies, v. 27, n. 2, p. 132-139.
(2013). “Por una teoría del actor-red menor: perspectivismo y monadología”. In F. Tirado and D. López, eds. Teoría del Actor-Red. Más Allá de los Estudios de Ciencia y Tecnología.Barcelona: Amendia, p. 331-356 (in the press).

Javier Rodrigo

Texto presentación :Comunes, colectividades e institucionalidades: paradojas productivas y pedagogías inapropiadas. https://www.box.com/s/6iva80kuil8ploxb7jbx
http://transductores.net/?q=es/content/laboratorio-ciudadano-mercado-san-roque-exposici%C3%B3n-y-socializaci%C3%B3n-del-trabajo-del-grupo-ms-0       

Aida Sánchez de Serdio

(2010) “Políticas de lo concreto: producción cultural colaborativa y modos de organización”. In Collados, Antonio y Rodrigo, Javier (2010) Transductores: pedagogías colectivas y políticas espaciales.Centro José Guerrero. Granada. p. 44-64
http://www.mov-s.org/wp-content/uploads/Transductores.pdf

(2009) The Political Economy of the Monument. In Street signs, Spring 2009. Centre for Urban and Community Research (CUCR). Goldsmith College. University of London (p. 2-4)
http://www.gold.ac.uk/media/streetsigns_spr09.pdf

 
Posted by Intermediae 03/04/2013 13:17:54


404: Amar en tiempos Hipster


Hipsteria Lane: Gentrifying Intimacy

April 20-21 11am-2pm and 4pm-8pm.

A workshop kicking off collective research into a new cultural paradigm through its media representation.
 
It would be quite hard to understand cultural industries without first understanding the central position that love has attained in the heart of them.  If we took away love as a theme for pop music, film, literature, and television programmes, we would be left with scarcely any content, or we would at least have to make do without a main content that simultaneously forms the backbone for many others.
 
Here when we say love we do not mean a set of emotions and feelings that are felt and lived by those consuming cultural content.  Instead we are talking about a complex instrument pertaining to cultural industries and having different genealogies and manifestations.  We are talking about a discursive framework containing collective imaginations and sincretic representations.  We mean a set of archetypes, narratives, key words, situations, and conduct that are inextricably linked and woven into the content of cultural industries in a sort of discursive consensus of love.
 
Therefore, we must escape from the proverbially inrreproachable individual feeling and focus on disecting a social instrument represented and presented incessantly as text, pretext, or subtext in contemporary cultural products.
 
Amar en tiempos Hipster [Love in the Time of the Hipster] is a workshop that sets out to discover what is the ideal for love and what ways of experiencing sexuality are represented by all things “hipster”.  It is a workshop for analysis and the building of (ambiguous) texts using several kinds of language (discursive, journalistic, fiction and non-fiction, textual and audiovisual, ethnographic, pictorial, stage, and podcast) pertaining to the socio-emotional forms and sexuality that the hispter “subculture” offers and how we are affected, both socially and individually, by it.
 
 
Posted by Intermediae 19/03/2013 12:09:54


Spanish P2P WikiSprint/es

Wednesday 20 March at 16 h.


A WikiSprint is a collective content production event that takes place in a short period of time in a wiki type of platform. This "P2P WikiSprint" in Spanish aims to collectively document and map P2P (peer-to-peer) initiatives in Latin America and Spain.
Medialab-Prado offers its space to get together and work in this global mapping.

 
Posted by Intermediae 24/01/2013 08:09:50


Open Studio by The Authorless Film Factory

Colectivo Cine sin Autor (Authorless Cinema Group)

Space to meet and show work processes. From Tuesday to Sunday during Intermediae opening hours.

Screening of works in progress. Wednesday 27 February at 6 pm at Cineteca.

The Authorless Cinema Factory started its activities in May 2012 at Intermediae.
Since then, many people who have nothing to do with film production have taken part in making their films collectively.
 
Throughout 2013 films in progress will be shown monthly at the Cineteca at Matadero Madrid. A meeting space open to everyone interested in actively taking part by offering their opinion and even getting involved in the production process.
The participating public can do more than just see films here: they can do so in a new social model of filmmaking.
Social Cinema. Horizontal. Participatory. Inclusive. 21st century Cinema. Cinema XXI
 
Posted by Intermediae 04/01/2013 18:29:44


Sound-In: Meetings, presentations, workshops and concerts.
Anne-Françoise Raskin and Miguel Álvarez-Fernández

23 to 26 January from 10 a.m. to 10 p.m.

Sound-In at Intermediae offers a series of complementary activities to the Estampa Multiple Art Fair (Feria de Arte Múltiple Estampa), held last October at Matadero Madrid. This series of lectures, roundtables, workshops and concerts shares the core them of the Sound-In section: promoting and disseminating sound art and experimental music.

This series of activities aims to form a framework for shared learning in which the artists, curators, producers, critics, etc. gathered for Sound-In can share their experiences with their experimental sound creation projects. In addition to sharing theoretical approaches through roundtables and presentations, Sound-In offers a practical dimension through a series of concerts and workshops open to everyone.

For further information regarding the workshops, please write to sound-in@estampa.org

 www.estampa.org

Activities:

Wednesday 23 January
10 a.m. to 2:30 p.m. Workshop: Sound art and Decolonial studios

Thursday 24 January
10 a.m. to 2:30 p.m. Workshop: Creating and editing graphic music: from the music score to the visual work.
5 to 6:30 p.m. Roundtable: The Sound-In project and the Estampa Multiple Art Fair.
7 to 8:30 p.m. Presentation of projects by artists in the Sound-In Programme for New Creators.
9 to 10 p.m. Concerts.

Friday 25 January
10 a.m. to 2:30 p.m. Workshop: Creating and reinventing sound instruments: object/sculpture/installation.
5 to 6:30 p.m. Roundtable: Producing sound art and experimental music.
7 to 8:30 p.m. Presentation of projects by artists in the Sound-In Programme for New Creators.
9 to 10 p.m. Concerts.

Saturday 26 January
5 to 6:30 p.m. Communication and dissemination of sound art and experimental music.
7 to 8:30 p.m. Presentation of projects by artists in the Sound-In Programme for New Creators.
9 to 10 p.m. Concerts.
 
Posted by Intermediae 04/01/2013 18:21:10


Open Terrario / Streaming Scenarios: ON & ON Presentation of Season #2
PlayDramaturgia

Saturday 19 January at 7 p.m.

Three months have passed since the start of Streaming Scenarios, a process of exploring the possibilities for dialogue among live arts and real-time video broadcasts via the Internet. 
Something along those lines was said by Pablo Gisbert, one of our collaborators, when we sat down to reflect on it: “Our times require we take action. And since we are too cowardly to take up arms, we have to do our best in our field: the world of ideas. They need to be specified, filled with content, and shot.” That is what we are doing.  ON&ON serves to recharge and present the second phase of the project. More ideas, more action, more playwriting and hard punches… more Streaming Scenarios.
 
Posted by Intermediae 04/12/2012 16:02:54


OPEN TERRARIO/ ConectaLab2

ConectaLab2 and Internet of Things. Wednesday 19 December starting at 5 PM.

Work day at the Terrario with the following: Internet of Things, aLabs, IoT Madrid and Manuel Portela, organizer of CityCamp Buenos Aires, who will share his experience as an attendee at SmarCity Expo Barcelona.

Using pieces of open source hardware and software, and a spirit of creativity and innovation, ConectaLab was born, a pop-up co-working space held monthly with a technological base open to technologists and people who conceptualize or are curious, whose main activity is collectively and responsibly generating utility. A space to work, learn and share.

 
Posted by Intermediae 23/11/2012 16:59:31


LA GASEOSA DE ÁCIDO ELÉCTRICO

Javier Montero

Saturday 15 and Sunday 16 December at 20 p.m.

La gaseosa de ácido eléctrico (The Electric Kool-Aid Acid Test) is an experimental stage project that develops horizontal work tools and investigates collective intelligence methods. It is carried out by a heterogeneous group of women about the age of 60 from a diversity of social and ethnic backgrounds. We started the process by exploring the subject of love but soon we agreed it would be more interesting to focus on the here and now. The plot of the open piece which has evolved is based on the occupation and conversion of a social dining area at a financial club, given the precarious nature of the crisis of the system.

The project has developed its own strategic approach to experimental stage arts and popular culture which has nourished the work with body and space, text and narration, accents and languages, playwriting and meta-fiction, soundscapes and stage design. This has allowed us to explore numerous contemporary artistic disciplines and make a call to thinking as action. We have also developed specific collective work tools, focused on developing creativity, personal enrichment and social interaction.

The work has been structured into four workshops that made it possible to investigate various aspects of stage development:

. Writing and acting workshops led by Javier Montero.
. Soundscape design workshop led by María González.
. Stage design workshop led by Matilde Juárez.

In La Gaseosa de Ácido Eléctrico (The Electric Kool-Aid Acid Test) we started with the idea that inter-subjective relations are not only an end in themselves, but also allow us to explore more complex terrains such as the role played by cultural representation systems, micro-political potentialities, the role of emotions, inequalities, and the class system, behaviour protocols, the concept of value or narcissism.

The piece combines three spaces: the dining hall, the kitchen and meta-fiction, where we reflect on the dramatic process and debates are held. It is important to point out that we have not aimed to reach a final conclusion or a finished, polished work. The work process is undoubtedly what is most fascinating.
 
Posted by Intermediae 23/11/2012 16:29:14


CLUB GAMESTART / Presentation of projects by club participants

Arsgames

Saturday 15 December at 11 a.m. Presentation of projects by club participants

Since September, the children and teens who take part in Club Gamestar(t) have been investigating, experiencing and exploring the universe of games as a creative playful tool.

In this session they will present the work they have done on their collective projects: creating video games, databases, blogs and servers, among other things. This meeting is open to all friends of the Club, where they can be members for a day and enjoy a session of play and work.

Want to know how they do it? The participants of Gamestar(t) will tell you.

Gamestar(t) has guides who orient the process, drawing their inspiration from free pedagogies, facilitating communication, decision-making and conflict resolution. Through an assembly, the club’s working process is decided, as well the activities to be carried out at each session.
 
Posted by Intermediae 23/11/2012 15:40:25



Seed exchange bank event

Ecosecha

Thursday 13 December, 6 pm

The Seed Exchange Bank is an initiative in favour of decentralizing control of seeds and questioning the management models we generate or in which we take part in this culture with our current way of life. The Seed Exchange Bank and the activities it holds are offered as a metaphor for the need for change in society today.

The first Thursday of each month, a seed exchange session is held for growers, horticulture enthusiasts, and anyone interested in being part of a social network based on organic and sustainable principles, where know-how can be shared about working with seeds and ways to enhance organic agriculture in Madrid.

The Seed Exchange Bank can be visited on a regular basis at the Terrario at Intermediae.

http://ecosecha.blogspot.com
http://bis.intermediae.es/

 
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